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07-06-2008, 06:44 PM
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ok 1. when your drawing in each panel think of it like a movie. lets say your character is sitting down in a chair and the other one is standing. when you draw it think ok hes sitting here and the chair is here and he's talking in this scene. if you dont have any room inside the panel for word bubbles, then draw it over the panel. 2. i used to do the same thing with the eyes. it takes practice to get it down the way you want it. but when you draw a face use the cross technique + to align the eyes do 2 lines instead of one to align the top and bottom part of the eyes. but be sure not to put the eyes to close together or far apart. leave a small gap between the ears and the eyes and a large space from the center. hair is a pretty simple thing to do once you understand its science. the hair wont stick straight up but slope downwards (gravity).short hair will stick up thought because the weight of it is lighter. when drawing hair be sure the head isnt to long and oval and measure the forehead so that when you draw the hair it doesnt look like the characters forehead is too high or low. when drawing the hair use the area where the hair grows from as a marker. this part is harder to explain without a visual. but look at manga to see how the hair is drawn.  "Im too drunk to taste this chicken" - colonel sanders
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07-06-2008, 09:27 PM
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That's like handing someone a pencil and saying "make stuff with it" yes..of course...i'll make "stuff"..but what size..color...how curvey...how soft how gentle how smooth...and where do i start. -.-
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07-07-2008, 04:33 PM
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"Im too drunk to taste this chicken" - colonel sanders
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07-10-2008, 01:12 AM
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"Im too drunk to taste this chicken" - colonel sanders
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07-11-2008, 09:34 PM
i hate how when you try and take some relaity of the object at hand you have to make it bigger to draw the effct of that objects existence. Like an nose, to actually draw the thing that might perk your interest alittle more the nose becoes bigger by the end of the face, then you have to resize it, cutting out information...or when you try and draw a freakin bird it never stays still...or how when i draw something that has a TON of landscape in it, i can't get everything...I can't match reality...uuuh mukatsuku...
-God good night...
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07-13-2008, 01:18 AM
I'm actually getting musch better with the hair and eyes, yay! but backgrounds still intimidate me... i mean, really, wtfudge am i supposed to put in the background, i'm much too lazy to draw buildings, trees, etc. Also coloring finished art... grrrrrrrr
 I'm stuck with rose art colored pencils (me=cheap  ) and have trouble making it look clean and crisp with them. I need copic or phtoshop... but, again, soooo pricey. Perhaps stars fall, just as the rain Until they burn on a windowpane The grief of loss no written place It is simply painted, on my face.
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07-14-2008, 06:48 PM
I'm good with hair, and usually with eyes.
Hands, I have so much trouble with, only because I want them to pe perfect! [I have a real-life obsession with hands] Bodies, I'm good at...backgrounds I'm okay with, but I usually just keep them simple, or just don't draw them at all. Sideviews of faces are difficult for me...I don't know why. I guess I've just gotta practice them   I'm pretty content with life right now....For the most part, anyway....Well, at least, I'm pretty sure I am....
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07-16-2008, 05:04 PM
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